What Writers Misunderstand About Developmental Editing
The common misconception
Many writers believe a developmental edit is just an in-depth copy edit — a sentence-by-sentence polish. In reality, it’s about story architecture. Developmental editing asks: Does this story hold together? Are the characters compelling? Does the pacing keep readers hooked?
What developmental editing really involves
Structure and pacing: ensuring turning points land, acts balance, and scenes serve a purpose.
Character arcs: highlighting flat or inconsistent development.
Point of view and voice: checking for clarity, distance, and consistency.
World-building and setting: making sure context supports rather than overwhelms.
Thematic coherence: tying threads together to build resonance.
Developmental editing looks at the book’s skeleton, not its clothing.
What it doesn’t do
Correct typos and commas (that’s copy editing).
Smooth rhythm or style at sentence level (that’s line editing).
Provide a finished manuscript ready for print (developmental is mid-stage).
Why authors resist
Writers sometimes feel defensive: “I don’t want someone rewriting my story.” But a good developmental editor like Tom Witcomb won’t impose solutions. They’ll highlight problems and suggest strategies, while respecting the writer’s voice and vision.
The payoff
Books that go through developmental editing are stronger, tighter, and far more likely to impress agents or succeed in self-publishing. It saves later frustration — and budget — because later editing stages become more efficient.
Ready for the next step?
Explore our developmental editing service with Tom Witcomb.
Not sure you’re ready? Try a manuscript assessment first.
Looking ahead? Combine developmental editing with line editing for a staged revision plan.
